2D3 SteadyMove Pro 1.0
* Developer: 2D3
* Version: 1.0
* Platforms: Windows
* Host Applications: SteadyMovePRO is a plug-in for Adobe Premiere (6.0, 6.5), Adobe Premiere Pro (1.0-2.0), Adobe After Effects (5.5
and 6.0), Premiere Elements and Discreet Combustion running on the Windows OS only.
* Compatibility with After Effects 7
How many times has your once-in-a-lifetime shot proved to be unwatchable at home because of camera shake? Now 2d3 comes to the
rescue with SteadyMove for Adobe Premiere Pro and Adobe After Effects. Using state of the art vision science techniques, the Emmy
award winning development team at 2d3 have created a simple to use plug-in which produces remarkable results. SteadyMove works by
studying the images to calculate the relative camera movement from one frame to the next, it then uses this to remove unwanted
movement. A number of controls allow the user to specify how much movement to remove, and how smooth the final result is.
SteadyMove works by studying the images to calculate the relative camera movement from one frame to the next, it then uses this to
remove unwanted movement. A number of controls allow the user to specify how much movement to remove, and how smooth the final
result is.
Have you tried taking a hand held shot whilst walking down the street? It's hard! With SteadyMove you can adjust the controls to just take
out the shake from your hand, but leave in the bounce of your step. Alternatively you can increase the smoothness control to remove the
step movement too, so that the shot looks like it was shot on a professional dolly!
SteadyMovePRO stabilizes image sequences. It is an advanced version of SteadyMove which ships with Premiere Pro, providing additional
controls which allow you to get just the result you want, including: Smoothness and Max Correction Control how smooth the shot is and
how much shake SteadyMovePRO can take out.
* Camera Motion Let's you to specify whether there is intentional camera motion in the shot and whether SteadyMovePRO should
attempt to take all motion from the shot.
* Zoom smoothing Removes sudden changes in zoom which commonly occur in camcorder footage.
* Cropping mode Determines how the edge of the image is handled, including special adaptive modes which can minimize the amount of
cropping in the stabilized shot.
* Cut Detection automatically identifies cuts between shots in a single sequence and stops SteadyMovePRO from attempting to
stabilize across the cut.
SteadyMovePRO takes the shake from your shots. It produces a professional result with simple to use, highly sophisticated technology
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AIST ProFX 1.0
* All parameters are freely adjustable and can be modified interactively
* All parameters can be fully animated using keyframes
* Very high quality output
* Very high rendering speed
More than 30 unique effect plugins and objects
* Xblow - video gets "blown away" in particles like sand by a strong wind
* Xengrave - engrave video sequences with stills or other animtion/video sequences
* Xfilm - turn perfect digital video into analog looking film with all the imperfections and faults
* Xflame - add a realistic looking flame (or flames) to a candle or create an entire bonfire
* Xflare - perfectly controllable lens flares for that realistic look
* Xflash - adds flash reflection to any desired point
* Xflow - liquifies the video image - can be made to look like melting or like moving paint colors
* Xkaleido - very inpressive kaleidoscope effect
* Xlens - have a lens pass in front of the chosen object or video maginfying it with selectable distortion
* Xlight - light emenating / radiating through the chosen object or video - very impressive
* Xmandelbrot - back to the eighties - fractal mandelbrot generator to integrate as object or texture
* Xmotion - advanced motion blur effect
* Xpuddle - rain drops causing ripples on a water surface which is your video image
* Xrain - particle system for generating rain
* Xrainbow - if there is rain then there must be also a rainbow somewhere
* Xrefract - freely adjustable refraction effect
* Xripple - water ripple effect for your video
* Xshadow - use an another source to cast a fully customizable shadow
* Xshadowing - use the current object / video layer to cast a fully customizable shadow
* Xshake - apply a shake or tremor to an object - including motion blur and smeared edges
* Xshutter - simulates camera shutter behaviour
* Xsmear - perfect smearing of video sequences
* Xsmoke - smoke particle generator for convincing looking smoke effects
* Xsmudge - smudges / deteriorates picture
* Xsnow - snow generator for 2D style snow
* Xspace - define space coordinates for mirroring along the various axis
* Xspark - right for the Xmas seasn - sparkle effects
* Xtext - text effect like used in the movie "Matrix"
* Xturbo - effect that can be used to create anything from "desert mirage" to "beam me up Scotty"
* Xtv - give your perfect digital video that analog TV touch with all its imperfections
* Xwhirl - the name says it all
* Xzoom - impressive crash zoom effect
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BigFX FilmFX 2.35i - Plugin for After Effects
People are raving about FilmFX 2.35...and they should be. FilmFX 2.35 is the most cost effective way to get the expensive look of film on a
video budget.
FilmFX 2.35 boasts thousands of improvements over the popular original. Color curves. Gamma control. Unsurpassed color correction
and matching. Extensive grain parameters. Anamorphic wide screen conversion. Old Film effects. Gate weave for compositing. The list
goes on
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Atmorex Fluids version 1.1 is a very convenient and powerful tool for producing various fluid wave effects in Adobe After Effects 5.x.This software allows to manage the process of spreading wave easy and quickly. It supports 10 different wave types. It is possible to manipulate such fluid parameters as fluid viscosity, fluid refraction factor, and so long. There are 16 adjustable parameters in total
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Boris FX Title Toolkit 1.0 - Plugins for After Effects
reate broadcast-quality, animatable titles directly in the After Effects user interface. Boris Vector Text, Text Scrambler, Title Crawl and Vector Shape plug-ins let After Effects users experience superior titling capabilities in a familiar environment for maximum quality, speed, and creativity. Sold exclusively through our online store.
Video editors, graphics artists, and compositors can create, position and move titles and vector graphic elements in 3D space with features like Text On a Path, Type On and Motion Blur. The Boris Title Toolkit also provides a variety of ways to randomize, jitter and scramble text characters and text styles, build vector shapes that can link to text, create film-quality rolls and crawls, animate text fill, borders, softness, and shadows and link to built-in After Effects or third-party parameters. Creating broadcast-quality title animation in After Effects for film and television has never been easier.
The Title Toolkit works with Adobe After Effects 5.5 and supports Truetype (including OpenType), Postscript, Unicode, and Multibyte Fonts on Macintosh and Windows platforms.
Vector Text – Create text with animatable borders, fill, softness, and shadows within the Effects Controls and Timeline windows. You can then place text on a path, rotate and move it in 3D space, or animate text on or off the screen by character, by word, or by line
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Text Scrambler – Randomize or scramble text or text styles and animate fields of random text or numbers including animating to and from random text and user defined text
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Title Crawl - Create automated roll or crawl animation with built-in options for hard or soft masks. Maintain defined pixels per second speed. 3D rotation control provides easy creation of "Star Wars" type perspective effects
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Buena Software Au Naturel 1.1.1
Buena Software, Inc. announced the release of Au Naturel v.1.1.1 today. This update to their popular plugin for After Effects and compatible hosts for Mac OS and Windows adds support for Premiere Pro on Windows, fixes a small memory leak, and improves the demo experience for users wanting to try it out. This is a free upgrade for users of the previous version, and costs $99US for new purchasers. Users can download a fully-functional demo to test out at
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Au Naturel is a video effect plugin that manipulates footage in 32-bit per channel linear RGB to produce much more photographic results than the host application's built-in tools. This allows it to produce lens blurs that look more like the lens was actually defocused than a typical Gaussian Blur. Its Directional Blur also looks more natural than the built-in directional or motion blur tools. And its interface includes the ability to adjust the exposure of your footage in f-stops rather than the unnamed units that tools like "Brightness" and "Contrast" use.
Users who would like to see Au Naturel in action can do so at this year's NAB convention from April 18th through the 21st at the Las Vegas Convention Center in Las Vegas, Nevada. Buena Software president Darrin Cardani will be on hand at the Plugin Pavilion in booth SL760H showing off Au Naturel and Buena's other plugins.
Au Naturel includes the following tools:
Adjust Exposure - allows you to increase or decrease the exposure of your footage in f-stops
Levels - changes the input or output white and black points in linear RGB, and even allows you to set them below the minimum or above the maximum values
Gaussian Blur - produces a blur that looks much more like a defocused lens than the host application's built-in blur
Directional Blur - produces motion blur that looks much more like real motion blur than the host application's built-in directional blur
Transform - scales, rotates, and skews your footage with extremely high quality
Composite - allows you to composite images in linear RGB, which is closer to how light actually works, and allows you to choose a different alpha channel for each color channel.
Time Lapse - mimics the effects of long exposures used to create time-lapsed photography
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Buena Software Depth Cue 1.1 - Plugin for after effects
* Developer: Buena Software
* Version: 1.1 (released June 27, 2005)
* Platforms: Mac/Windows 6.0
* Host Applications: Adobe After Effects 6.0+
* Compatibility with After Effects 7
D Composite allows your 2D footage with a depth channel to interact with After Effects' 3D layers. You can take footage directly from your favorite 3D applications, like Maya, 3D Studio Max, and Cinema 4D, and use it in After Effect's 3D world.
With 3D Composite, you're not limited to having all of your After Effects layers being in front of half your 3D objects and behind the other half as you are with AE's built-in "Depth Matte" effect. With 3D Composite, multiple 3D layers in After Effects can intersect and interact with the footage you import from your 3D application.
Setting it up is easy. Import your 2D footage with a depth channel as a new 2D layer, then apply 3D Composite to that layer. Next, set up your 3D layers as you normally would, making sure to put them below the 2D footage with the depth Channel. Finally, you can select any of your 3D layers to be watched by the 3D Composite plugin and it will automatically update whenever those layers are moved in any way. As After Effects' 3D layers move behind objects in the 2D footage, they are obscured, just as if they were filmed together
Depth
The Depth plug-in does one simple thing: it displays the depth of every pixel in a 3D layer as a grayscale value. You can then use the result as a gradient map for other plugins, or export it for use with other applications that can use a depth map.
You can adjust the minimum and maximum depth to output, and adjust what values those depths map to. The plugin works in 8 and 16 bit per channel allowing you to create some pretty deep depth maps. And you can adjust whether the depths are output in a linear fashion, or follow a curve.
Once you have a depth map of a comp, you can use it for simulating other types of depth effects. Use it as the gradient map for a compound blur to produce depth of field effects. Or use it for something wild like a gradient wipe - objects would fade out based on their distance from the camera! The possibilities are enormous.
And of course, Depth includes a helper plugin that applies the effect to all the layers in your composition and creates 1 master set of controls you can use to adjust all the layers at once. But it does more than that! If you're using AE 6.5 or later, the helper plugin can also duplicate your composition, apply the Depth effect to the copy, then put both the original and the duplicate into a new composition. So in 1 easy step you have a new comp ready to use your depth map as a gradient map for another effect!
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